The abstract visual image in the theater is based on plastic contexts and documentary relationships through which the concept of significance and symbol is determined without entering the material and huge forms. A semantic abstraction to convey a clear and clear meaning. Thus, abstraction becomes an effective part of the image formations in the theatrical performance. Perhaps light and color are two essential elements of abstraction to highlight the concept of chance, illusion, strangeness, and perhaps a dream as well. Therefore, the presentation discourse becomes enigmatic from several combinations, indications and signs, all of which serve to create the visual image. Contemporary theater always desires renewal and experimentation through abstraction in order to break the norm and introduce new visual features that give the image more value and beauty. For the philosophy of abstraction in an attempt to change the modes of reading for the recipient and to call different aesthetics in the production of theatrical performance and based on the foregoing, the researcher puts the problem of her research by the following question: (Does abstraction have its interactions and mechanisms by the Iraqi director an aesthetic impact on the formation of the abstract image of contemporary Iraqi theater performances). That is why the researcher took the title of her research tagged as follows: (Works of the abstract image in theatrical weather(

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