On this page
Research Article | Open Access
Volume 16 2024 | None
Dialogue in theater: A reading on the aesthetics of presence
Dr. Souhila belhouala
Pages: 523-530
Abstract
The text is the basic material on which research, analysis, interpretation, and understanding are built, and it is the beginning, because it is considered a form that enters into a relationship with the social and cultural context within which it emerges. This does not negate the opinion based on the relationship that links the text and its content. Therefore, we can consider the text as the beginning from which the theatrical work as a whole begins. In other words, the theatrical process includes reading the text in the first stage, then the role of the stage comes in a second stage to highlight other dimensions carried by the text Therefore, when we try to enter into the text as a thought embodied through multiple dimensions created by the presentation with its overlapping structures, we find the importance of the text embodied in that vision put forward by Artaud, who likens the language of theater to the language of a dream in which the visual aspect dominates, but from the other aspect, we find the word in it constitutes the key. To solve the mystery or mystery surrounding the event in general. From here we can emphasize the importance of dialogue in the theatrical process, whether the text or the presentation is being talked about. How is this done?
Keywords
Text - Dialogue - Communication - Recipient - Narration - Theatrical presentation - Text language – Aesthetic.
PDF
98
Views
30
Downloads