Memoirs serve as a dynamic and inspirational catalyst for preserving the collective memory of individuals and nations. A nation devoid of memory resembles a body devoid of intellect or head, imperative for existence yet absent. Thus, the very existence of nations is intertwined with the preservation of memory. Our study delves into "Khayreddin Barbaros's Memoirs" as an essential artifact of Algerian history and nation-building, transcending the constraints of the narrator’s or writer’s identity, ethnicity, or loyalty to the Ottoman sultanate. This modest inquiry aims to illuminate the aesthetic of intertextuality and its multifaceted roles, cultural, historical, literary, and religious. The intricate tapestry and amalgamation of diverse literary genres within these memoirs underscore the intertextual continuum linking the present to a revered past. Our scholarly pursuit endeavors to uncover the varied manifestations, hues, and aesthetics of these intertextual engagements, posing significant inquiries: -What precisely defines the concept of intertextuality, and what are its types, aesthetic functions, and objectives? -Which literary genres are woven into these memoirs, and to what degree do they coalesce and resonate with each other? -What motivates the composition of these memoirs? -Was Khayreddin Barbaros’s arrival in Algeria driven by colonial ambitions or by a desire for Islamic conquest to repel the Crusaders? -What are the stylistic, thematic, and technical nuances of these memoirs? These questions guide the thrust of our scholarly paper.

Maritime Literature,Literature of Islamic Conquests, Autobiographical and Biographical Literature, Intersection of Literary Genres, Prison Literature.