The article deals with the features of musical and linguistic formation in the collectio “A Stamp for the Devil’s Mail” by the Algerian poet Fadela Ziaya (Al-Khansa), as it gives it a brief and comprehensive definition, in various aspects of her cultural activities, and then establishes - in brief - the concept of music and external music and its role in poetry compositions, reviewing the Determine weightsAnd rhymes, and what is related to them in the poems of her collections, are analysed, interpreted and concluded. The article ends with a conclusion that includes the most important results reached, with regard to the poetic experience of the Algerian poet Fadela Ziaya through her studied collection, composed during the first decade of the third millennium

musical formation, Fadela Ziaya, Algerian feminist poetry, the third millennium.